60+ film & television credits
Geoff
Leavitt
Twenty years making images for film and television, from the art department to the final frame. Graphic design, concept art, visual effects, 3D and architectural visualization.
Concept to final frame.
Pandorum X-Men: The Last Stand The Lost City Terminator: Dark Fate The Santa Clauses Dallas Shadowhunters Criminal Minds DC’s Stargirl 9-1-1 CSI: Vegas CSI: Miami The Good Wife Longmire Armorsaurs
The work
All projects
VFXThe Santa Clauses
2022Department head and VFX supervisor, Season 1. Main title snow globe, magic effects and hero assets.
VFXDC’s Stargirl
2020–21In-house VFX artist: goggle HUDs, interface graphics and fire, every shot start to finish.
Graphic Design9-1-1
2018–19Graphic design, CG and medical visuals, and set visualization: patches, vehicle wraps, signage, the airliner crash and more.
VFXX-Men: The Last Stand
2006VFX / CG artist. The digital house and every piece that tears away, plus character texturing.
Graphic DesignCSI: Vegas
2021Graphic designer. Logos, signage, printed props, flyers and body-art composites.
VFXDallas
2012–14Studio-side VFX supervisor. Crowd extensions, screen replacements, fire and CG oil rigs.
VFXMy Best Friend’s Girl
2008Aerial city shot, start to finish. Matchmove, projection, matte painting, final comp.
ArchVizArchitectural Visualization
ArchVizLiving room, bedroom, kitchen, loft and bunker interiors, plus environments from grey model to final.
One creative. Every department.
I’ve designed the graphics, painted the concept, modeled the asset, tracked the plate and comped the shot. Whether I’m leading a team or hands-on in it, I know what every department needs to do its best work.
Graphic Design
Concept Art
Motion Graphics
VFX Supervisor
On-Set VFX Supervisor
VFX Producer
VFX Artist, 2D & 3D
Previz & Postviz
Modeling · Rigging
Lighting · Texturing
Environments
Architectural &
Interior Visualization

Service record
Art Directors Guild graphic designer and concept artist on 9-1-1, CSI: Vegas, High Desert and Terminator: Dark Fate. VFX supervisor for ABC Studios and Twentieth Century Fox, compositing supervisor at Barnstorm VFX, with time at FuseFX and Zoic. Most recently on-set VFX supervisor on Armorsaurs, shot in South Korea.
Nearly two decades teaching design, animation and visual effects at UCLA Extension, USC, Columbia College Hollywood and the ADG, plus mentoring AFI thesis films through post.
Full bio & creditsCLASSIFIED
Demo reel & shot dossier
Authorized personnel only. Watch the reel, then download the PDF breakdown of my role on every shot.