60+ film & television credits
Geoff
Leavitt
Twenty years making images for film and television, from the art department to the final frame. Graphic design, concept art, visual effects, 3D and architectural visualization.
Concept to final frame.
Pandorum X-Men: The Last Stand The Lost City Terminator: Dark Fate The Santa Clauses Dallas Shadowhunters Criminal Minds DC’s Stargirl 9-1-1 CSI: Vegas CSI: Miami The Good Wife Longmire Armorsaurs
The work
All projects
VFXX-Men: The Last Stand
2006Matchmove, proxy geometry and particle systems for the telekinetic house destruction.
VFX9-1-1
2018–19CG airplane crash plus MRI and X-ray medical visuals. Concept, model, texture, light, render.
Graphic DesignCSI: Vegas
2021Graphic designer. Logos, signage, printed props, flyers and body-art composites.
VFXMy Best Friend’s Girl
2008Aerial city shot. Matchmove with 3D proxies, camera projection, dynamics, final comp.
3D & AssetsDallas
2012–14VFX supervisor. CG land and ocean oil rig environments.
3D & AssetsThe Santa Clauses
2022VFX supervisor. Hero assets including the horse, sleigh, snow globe and Santa’s workshop.
Graphic Design9-1-1 Graphics
2018–19Graphic designer. Show posters, vehicle wraps, badges and patches.
ArchVizLiving Room Remodel
ArchVizDay and night interior visualization. 3ds Max and V-Ray.
One creative. Every department.
I’ve designed the graphics, painted the concept, modeled the asset, tracked the plate and comped the shot. Whether I’m leading a team or hands-on in it, I know what every department needs to do its best work.
Graphic Design
Concept Art
Motion Graphics
VFX Supervisor
On-Set VFX Supervisor
VFX Producer
VFX Artist, 2D & 3D
Previz & Postviz
Modeling · Rigging
Lighting · Texturing
Environments
Architectural &
Interior Visualization

Service record
Art Directors Guild graphic designer and concept artist on 9-1-1, CSI: Vegas, High Desert and Terminator: Dark Fate. VFX supervisor for ABC Studios and Twentieth Century Fox, compositing supervisor at Barnstorm VFX, with time at FuseFX and Zoic. Most recently on-set VFX supervisor on Armorsaurs, shot in South Korea.
Nearly two decades teaching design, animation and visual effects at UCLA Extension, USC, Columbia College Hollywood and the ADG, plus mentoring AFI thesis films through post.
Full bio & creditsCLASSIFIED
Demo reel & shot dossier
Authorized personnel only. Watch the reel, then download the PDF breakdown of my role on every shot.